Muse on a Monday

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“Ministers, I came to realize, are of necessity those familiar with the strange and who open themselves to the God-bearing power of strangeness itself.”

 Robert C. Dykstra in Images of Pastoral Care [1]

 MUSE PROFILE

Who is Robert Dykstra?
Professor. Pastoral Theologian. Editor of one of the primary textbooks in my pastoral care class last semester. His book compiles the ideas of key contributors to and concepts of the field of pastoral theology.
Why This Person:
Because he said something that gets truer by the moment.
Why this quote:
I don’t know what I expected seminary to be. I was just so happy to finally be here. But I didn’t expect this. And it just gets stranger by the moment, in the most break-me-open-in-a-good-but-devastatingly-challenging-kind-of-way. The work is so much more than biblical studies, theology, history, and practice. But somehow in the study of all these things and interactions with peers in the same strange world, seminary turns what you thought you knew about yourself and the world upside down. In the process of trying to right side it, you find that maybe who you are and how you fit in the world is different than what you thought or expected. This is so strange. Stranger still, God is wrapped up in all this strangeness. And there is power in that.

[1] Dykstra, Robert C., ed.  Images of Pastoral Care (Chalice Press, 2005), 74.

 

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Muse on a Monday

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“God,
you are our beginning and you will be our end;
we are made in your image and likeness.
We praise and thank you for this day.
This is the day on which you created light
and saw that it was good.
This is the day in whose early morning light
we discovered the tomb was empty,
and encountered Christ, the world’s true light.
This is the day you have made;
we shall rejoice and be glad in it.” 

from A New Zealand Prayer Book/He Karakia Mibinare oAotearou [1]

 MUSE PROFILE

What is A New Zealand Prayer Book:

My muse this week is not a person, but a collection of prayers and liturgy from the Anglican Church in Aotearoa, New Zealand, and Polynesia.

Why This Book:

Coming from a faith tradition that does not use a prayer book in worship, I am intrigued by the concept of prayer books and designated prayers or liturgies for specific times of day, days of the week, and seasons of the year. Always one to play with words and experiment with ways to say old things in new ways, I appreciate the prayer book’s innovation with words and use of inclusive language, while never straying too far from its biblical foundations. I am fascinated by its incorporation of the Maori language.

This prayer is in a section of daily devotions and liturgies of the Word. Each devotion uses a portion of the LORD’s Prayer as the introductory theme, followed by a prayer that highlights and expands on that theme. The excerpt of the prayer above is based on the beginning and end of the LORD’s Prayer, “Our Father in heaven, the kingdom, the power, and the glory are yours now and for ever.”[2]

Why this prayer:

I love that in the course of a few sentences, the prayer spans the first and new testaments and resonates with language from multiple psalms and biblical passages. Until recently I thought one could only learn the language of the Bible from the Bible itself. My worship classes taught me that liturgy, too, can bathe us in the biblical tradition. This excerpt is only one-third of the entire prayer yet it is so scripturally rich! The language and imagery makes my heart flutter (i.e. the writer in me meets the seminarian in me)!

[1] The Anglican Church in Aotearoa, New Zealand, and Polynesia, A New Zealand Prayer Book (Harper Collins, 1989), 106.

[2] The Anglican Church in Aotearoa, New Zealand, and Polynesia, A New Zealand Prayer Book (Harper Collins, 1989), 106.

 

The Still: Fall/Winter 2017

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Lest I forget the small moments on this big journey, I distill my experience in seminary and life every semester or season (e.g. Fall 2016, Spring 2017, Summer 2017). Every time I write these text-heavy blog posts, I think it would be so cool to turn them into a magazine. Drumroll, please…I did it!

The Still: Fall/Winter 2017 is an online magazine. This was an experiment with free MadMagz software, so please let me know what you think.

Read my reflections on fall/winter 2017 here.

Muse on a Monday

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Today there are no words. I offer instead some of my musical muses from the past 6 months, because sometimes only music can express what we can’t yet say for ourselves.

MUSE PLAYLIST

Oceans by Hillsong United

John Legend Mix

You Can Do This Hard Thing by Carrie Newcomer

Praying by Kesha

Various songs by Sam Smith

It is Well by Kristene DiMarco and Bethel Music

Millions of Reasons by Lady Gaga

Even If by Mercy Me

Perfect Symphony by Ed Sheeran with Andrew Bocelli

This is Your Fight Song (Rachel Platten Irish Cover/Amazing Grace) by The Piano Guys

Lots of KISS 104.1 FM Atlanta’s R&B Station

Rise Up by Andra Day

 

Muse on a Monday

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“And perhaps if we ever have real equality with all our glorious differences, the language itself will make the appropriate changes. For language, like a story or a painting, is alive. Ultimately it will be the artists who will change the language (as Chaucer did, as Dante, did, as Joyce did), not the committees. For an artist is not a consumer, as our commercials urge us to be. An artist is a nourisher and a creator who knows that during the act of creation there is collaboration. We do not create alone.”

by Madeleine L’Engle in “Icons of the True” from Walking on Water[1]

 MUSE PROFILE

Who is Madeleine L’Engle:

The author who introduced my fourth grade self to the fantasy genre with her book, A Wrinkle in Time.

Why This Person:

I did not know L’Engle wrote anything but fiction for children until recently. I am finding her collection of essays on faith and art to be as invigorating now as A Wrinkle in Time was at age ten.

Why this quote:

My oldest daughter mentioned Interfaith Gathering tonight, and I got all nostalgic. What amazed me tonight was the fact that it did not exist until I created it. And that through that act of creation, something beautiful and life-giving happened for a diversity of women. And how much joy comes from creating something like this, even though it’s hard and the unknowns test you.

Since stepping away from this work following my move to the southern United States, I’ve spent more time than I’d like to admit floundering a bit, doubting myself and how God may be using me in this new place and stage of life, doubting whether my creative, free-spirit self has a place in the PCUSA, which loves committees and the sense of order and direction they provide.

My heart is finally making the journey home to embrace my Presbyterian lineage–even if I don’t yet trust myself to let all my creative, free spirit colors wave there, or trust my home’s theological breath and demonstrated potential for finding grace in hard questions amidst its love of order and precision.

L’Engle’s words affirm who I am and why my creative, free-spirited self may be welcomed even where committees abound.

[1] Madeleine L’Engle, Walking on Water: Reflections on Faith and Art (New York: Convergent Books, 2001), 35.

 

I pray…

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My son and youngest daughter tromp down the wooden stairway perched on a steep, wooded incline in front of their grandparents’ cabin. Buckets and nets in tow, their squeals echo as rambunctiously as their feet racing to the floating dock. They are fishing today, the non-fishing way. No hooks or worms. Just bread crumbs, nets, and long lines of patience.

Depending on the time of day, they may or may not see what they’re trying to catch. My son and daughter lay across the dock’s splintered slats, faces pressed as close to the lake’s mirrored surface as their lifejackets’ bulk will allow. Sometimes they only catch a glimpse of what’s below when a sunfish breaks the surface tension of chocolate gray water.

If, however, the sideways gaze of the rising sun drew my kids down to the dock, they stare into the water’s sepia-infused glow. Scaled bodies, drunk on the morning sun, swim with the music of lakegrass and lilies. Mesmerized by the disco-ball-dazzle of a quartz boulder glittering in the shallows nearby, my kids watch and wait, enchanted.

It’s this kind of enchantment many churches try to create at Christmas. Dazzle! Impress! And maybe, just maybe, some of the people who came because it’s the one time of year they go to church, or because they miss carols and candlelight, or because awhile back the church was their family, or maybe because they’ve never gone and just want to see what this Jesus stuff is all about…maybe, just maybe, some of these people will come back.

This Christmas Eve, I entered the stone archways of a cathedral clad in all its Christmas finery. Candlelight, choirs, brass. Carols and communion. The head priest walked the center aisle, reaching out towards the people in filled pews. He met others’ gazes through round professorial glasses. His gray hair distinguished him more so than his vestments. This was Christmas in all its nostalgic, traditional glory.

And then he preached.

“The woman was so ugly!”

Laughter in the pews from the front and side by the pulpit.

My spine straightened. My skin bristled.

Did he really just say that?

Yes. And not just “ugly woman.”

The “ugliest woman.”

And on it went, spun in ways that confused outer beauty with inner worth. His words twisted one’s God-given goodness from gospel truth into knots beholden to the human standards of male authorities.  This ugly woman was exalted as a necessity for shameful men (like him, he admitted) to learn (and now to teach, apparently) that it’s all okay because God needs broken, ugly women (people, if I’m generous) because that’s how God’s light gets in.

I was drowning, thinking of God’s people who had been diminished by ugly name-calling and labeled less-than by people deemed more powerful than them. Many of whom were likely in the pews around me, bracing themselves against the assault from the pulpit and laughter around them. I longed for the sense of wonder found on the dock with my children.

Those moments on the pier weren’t always perfect, or beautiful, or crystal clear.  But we knew the fish were there. The light was already there. We waited. We watched. Whether we saw into the depths, or how we perceived what swam underneath, was a matter of timing, opportunity, and the perspective revealed by the angle of light. Not really all that different from Bethlehem so long ago, when a baby came to shift our perspective. To shed light in ways that did not break us more, but illuminate new ways to love and better paths to peace.

My heart breaks for the other priests who had to follow the head priest’s path down the aisle. Priests who because of labels are marked as different, or even ugly. Female priests. Priests of color. Priests betrayed by a head priest’s Christmas Eve message to the masses. I pray that more of these children of God stand proudly in the pulpit. I pray they cast light in the ways only they can. I pray our perspectives shift in healing and life-giving ways. I pray that ensnaring people from pulpits with nets of blame and shame becomes a thing of the past.  I pray for a time when all old, white, distinguished, smug men in the pulpit will humble themselves and speak boldly of the beauty found in all God’s creatures.

Muse on a Monday (or Tuesday)

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“it was when I stopped searching for home within others
and lifted the foundations of home within myself
i found there were no roots more intimate
than those between a mind and a body
that have decided to be whole”
by rupi kaur in the sun and her flowers[1]

MUSE PROFILE

Who is Rupi Kaur:
Another bestselling author, photographer, artist I discovered by accident. #anewpoetfoundmeinTarget

Why This Person:
Her writing harnesses deep, tough emotions. She tackles universal themes with simplicity and grace, and in the age of #metoo and DACA, her writing on abuse and immigration is timely.

Why this quote:
I used to think wholeness was a given, or something that just happened.
I used to think if you wanted to be whole badly enough,
wholeness would be guaranteed.
Wholeness is not something to handle so carelessly.
You will break before you even realize you aren’t whole anymore.
By then it’s almost too late.
Almost.

[1] Rupi Kaur, the sun and her flowers (Kansas City: Andrews McMeel Publishing, 2017), 215.